theparisreview: Madam Nasr with flowers, Tehran, from Mohsen Rastani’s portfolio “Iranian Family Portraits.” To Rastani, the white backdrop is almost as important to the photographs as the people that appear against it. The backdrop, he says, “isolates

theparisreview: Madam Nasr with flowers, Tehran, from Mohsen Rastani’s portfolio “Iranian Family Portraits.” To Rastani, the white backdrop is almost as important to the photographs as the people that appear against it. The backdrop, he says, “isolates

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